Lacquer Art and Buddhism: Cultural Trophallaxis and Their Aesthetic Commonality
- Lacquer art; Buddhism; Chinese culture; trophallaxis
Originating in the categories of "ideas and beliefs" and "artifacts" respectively, Buddhism and lacquer art belong to two cultural fields with little overlap, but they have forged an indissoluble bond with each other in the long history of evolution. Lacquer art gives Chinese Buddhist culture colorful charm, while Chinese Buddhist culture nurtures the profound verve of lacquer art. In the process of trophallaxis and collision, Chinese lacquer and Buddhism have proved to have commonality in cultural pedigree and consistent aesthetic orientation.
- © 2019, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Jinghui Wang PY - 2019/08 DA - 2019/08 TI - Lacquer Art and Buddhism: Cultural Trophallaxis and Their Aesthetic Commonality BT - Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) PB - Atlantis Press SP - 101 EP - 103 SN - 2352-5398 UR - https://www.atlantis-press.com/article/125916062 ID - Wang2019/08 ER -