Sayyang Pattuqduq as a Mandarese Identity in the Hyperreality Post-truth Era

DOI

10.2991/assehr.k.210602.010How to use a DOI?

Keywords

Hyperreality Post-Truth, Tradition, Sayyang Pattuqdu

Abstract

This study aims to examine the condition of local wisdom-based arts in the hyperreality-post truth era. Art in the perspective of local wisdom has undergone a number of changes or shifts along with the emergence of the hyperreality era. This study focuses on people perspective which is based on the perception of reality in the hyperreality-post truth era. This study employed a qualitative approach. Data were collected from several pieces of literature, cultural documentation, and interviews with cultural activists about hyperreality-post truth and traditions in Mandar (an ethnic group in the Indonesia province of West Sulawesi) culture in order to provide a more comprehensive perspective. In general, these changes or shifts can be viewed from the values that underlie a tradition and the messages carried in that tradition.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Irfa Aulia Dwiputri
AU  - Rumiwiharsih
PY  - 2021
DA  - 2021/06/04
TI  - Sayyang Pattuqduq as a Mandarese Identity in the Hyperreality Post-truth Era
BT  - Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020)
PB  - Atlantis Press
SP  - 51
EP  - 54
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210602.010
DO  - 10.2991/assehr.k.210602.010
ID  - Dwiputri2021
ER  -