ErHu Concerto in Eighties

DOI

10.2991/essaeme-15.2015.20How to use a DOI?

Keywords

Erhu concerto, Art

Abstract

Modern music in twenties century is directly impacted by impressionism style thus Debussy is universally acknowledged as the initiative person of modern music in twenties century. The new conception absorbing oriental elements is soon accepted by China that everything is waiting to be taken up in eighties, the concept of “chromatics” has a strong response in music field, the concept of aesthetics of East and West brings collisions, creative concept receives abstersion ,the new concept has a fresh inspiration on the combination of folk music instrument and the modeling of sound shape, which has a distinctive difference from the traditional folk instruments, showing the diversification of creation phenomenon in the creative field. Erhu concertos get a special popularity during this period, which receives the development with the style of “Venting and Eruption”, showing the production with thousands of multicolored gorgeously. This article chooses some common tracks of playing and teaching as there are too many works during this period.

Copyright

© 2015, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jindi Zhang
PY  - 2015/10
DA  - 2015/10
TI  - ErHu Concerto in Eighties
BT  - Proceedings of the 2015 International Conference on Economics, Social Science, Arts, Education and Management Engineering
PB  - Atlantis Press
SP  - 89
EP  - 93
SN  - 2352-5398
UR  - https://doi.org/10.2991/essaeme-15.2015.20
DO  - 10.2991/essaeme-15.2015.20
ID  - Zhang2015/10
ER  -