Proceedings of the 2024 2nd International Conference on Language, Innovative Education and Cultural Communication (CLEC 2024)

An Analysis of Gogol’s Art of Satire

Authors
Yidi Wang1, *, Liyun Huang1
1Shenzhen MSU-BIT University, Shenzhen, China
*Corresponding author. Email: 1415486469@qq.com
Corresponding Author
Yidi Wang
Available Online 3 July 2024.
DOI
10.2991/978-2-38476-263-7_20How to use a DOI?
Keywords
Gogol; satirical art; masterpieces
Abstract

Nikolai Vasilievich Gogol was a pioneer of Russian critical realist literature and an important promoter of naturalism. Together with the works of Pushkin, his works laid the foundation of Russian critical realist literature in the nineteenth century. Gogol’s writing was sharp and humorous, exposing the tyranny of the Russian Tsar and the dark side of society at that time. His writing style dramatically changed Russian literature, breaking its inability to truly reflect the darker side of society and bringing a new, humor-filled expression to a new literary period. The thesis consists of two parts. The first chapter introduces the background of Gogol’s upbringing and the formation of his critical realist thought, and introduces his three masterpieces of critical realism: the satirical comedy The Chinaman, the short story The Coat, and the long story Dead Souls, in order to serve as the basis for analyzing Gogol’s satirical art. Chapter 2 analyzes Gogol’s literary irony in these three works: “The Chinaman”, in which “laughter” is the main character; “The Coat”, in which irony is embodied by contrast and exaggeration; and “The Tearful Smile” in “Dead Souls”. Gogol’s literary irony is still of great significance and reference value for contemporary realist literature.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 2nd International Conference on Language, Innovative Education and Cultural Communication (CLEC 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
3 July 2024
ISBN
978-2-38476-263-7
ISSN
2352-5398
DOI
10.2991/978-2-38476-263-7_20How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yidi Wang
AU  - Liyun Huang
PY  - 2024
DA  - 2024/07/03
TI  - An Analysis of Gogol’s Art of Satire
BT  - Proceedings of the 2024 2nd International Conference on Language, Innovative Education and Cultural Communication (CLEC 2024)
PB  - Atlantis Press
SP  - 149
EP  - 154
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-263-7_20
DO  - 10.2991/978-2-38476-263-7_20
ID  - Wang2024
ER  -