The Characteristics of Line of Western Contemporary and Modern Painting

DOI

10.2991/978-2-38476-222-4_38How to use a DOI?

Keywords

line in painting; Western contemporary painting; existential existence; functionality of line

Abstract

This paper explores the multifaceted characteristics of lines in Western modern and contemporary painting. It delves into the existential mode of existence of lines, arguing that they are not merely material elements, but medium for the expression of human thought, emotion and self-formation. Drawing from Karl Popper’s division of three worlds, it highlights the multifunctional role of lines in constructing space, interpreting time, conveying ideas and sensual empathy through theoretical discussion and analysis of examples of Western contemporary art. This paper concludes by emphasizing the enduring relevance of existentialism in the art world of the 21st century and the infinite possibilities inherent in artistic creation and research.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Xi Liu
PY  - 2024
DA  - 2024/03/26
TI  - The Characteristics of Line of Western Contemporary and Modern Painting
BT  - Proceedings of the 3rd International Conference on Culture, Design and Social Development (CDSD 2023)
PB  - Atlantis Press
SP  - 317
EP  - 324
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-222-4_38
DO  - 10.2991/978-2-38476-222-4_38
ID  - Liu2024
ER  -