The Artistic Conception Beauty of “Poetic Dwelling” in Modern Chinese Ceramic Art

DOI

10.2991/assehr.k.220205.017How to use a DOI?

Keywords

Modern ceramic art; Poetic dwelling; Artistic conception; Aesthetics

Abstract

Heidegger’s ontological aesthetics transcends the dichotomy of subject and object, which is very different from the traditional metaphysical aesthetics of the West, and is closer to the aesthetic spirit of Eastern philosophy — “artistic conception” (意境). As the aesthetic embodiment of the philosophical wisdom of “harmony between man and nature”, “artistic conception” represents the highest theoretical achievement of Chinese classical poetics and aesthetics. Artistic conception is an extremely rich and brilliant achievement of aesthetic culture and it is a universal aesthetic theory in the laws of Chinese artistic creation and appreciation. The beauty of artistic conception is also naturally reflected in Chinese modern ceramic works. The artistic conception has several characteristics of being “empty and full”, “poetic”, etc., which secretly are in harmony with Heidegger’s existentialistic aesthetics, as if a dialogue spanning time and space across a thousand years. Thereby, the artistic spirit of the East and the West can exchange and dialogue, and it is precisely through this dialogue that people can reveal the beauty of the artistic conception of the “poetic dwelling” of modern Chinese ceramics.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article under the CC BY-NC license.

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TY  - CONF
AU  - Lin Cai
AU  - Ling Zuo
PY  - 2022
DA  - 2022/02/15
TI  - The Artistic Conception Beauty of “Poetic Dwelling” in Modern Chinese Ceramic Art
BT  - Proceedings of the 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021)
PB  - Atlantis Press
SP  - 99
EP  - 103
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220205.017
DO  - 10.2991/assehr.k.220205.017
ID  - Cai2022
ER  -