The Historical Context of National Art Exhibition

DOI

10.2991/icadce-17.2017.21How to use a DOI?

Keywords

National Art Exhibition; context; fine arts creation

Abstract

As the most important art exhibition in the New China, the National Art Exhibition has accumulated considerable sedimentary accretion and formed a certain cultural context since the first exhibition in July 1949 till the twelfth exhibition. This paper intends to elaborate on the interrelationship between each exhibition, the interrelationship between the state, the artist and the audience, as well as the problems generated from such interrelationship of the national art exhibition from its function positioning, exhibition mode, evaluation criteria, theme selection, artistic form and other aspects, in order to make a holistic view and sorting of the National Art Exhibition, reveal the positive energy of Chinese art culture as carried forward by the National Art Exhibition, and play a role leading the core values.

Copyright

© 2017, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Zhaoxia Li
PY  - 2017/05
DA  - 2017/05
TI  - The Historical Context of National Art Exhibition
BT  - Proceedings of the 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017)
PB  - Atlantis Press
SP  - 96
EP  - 99
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-17.2017.21
DO  - 10.2991/icadce-17.2017.21
ID  - Li2017/05
ER  -